Aesthetics and Circles

I am really interested in designs which lift up from the centre circle. They tend to be either rigid lightning like effects, or quite whimsical and delicate in nature. I don't mind either, but for this particular process I think I will lean towards the more striking and strong designs, since this is supposed to be a sealing to contain a very powerful demon.

So below are some of the effects I have come across which caught my eye. They all have rather similar circular visuals which, I feel would, encapsulate the circle and make it more of a visually exciting procedure. Each one is just slightly different, so i will work on combining them.

As for the circles using existing ones as reference and a starting point I have come up with multiple designs. I am not sure which will be included, nor which will be the final sealing design. I will test it when i have the pages it will be used for at least semi coloured. below are some of the designs I altered, improved and created.

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Bone Rank System

I thought, since it is quite prominent in my story, that i would delve into the Korean Silla Dynasty's bone rank system to get a clear understanding of just what it means. The Bone Rank System, so called because it was based on a person’s hereditary bloodline, was introduced as part of a new law in 520 CE by king Beophung. However, GolPum system was technically abolished with the fall of Unified Silla in 935. This is the simplest diagram I could find which explained the kind of standing that people had, and how it corroborated with their title. First of, a Sunggol or 'Sacred Bone' They have to be directly related to royalty on BOTH sides of their parents. Up until King Muyeol, only a Sunggol could ascend to the throne. It was due to the lack of an adequate male Sunggol which made it possible for both Queen Seon Duk and Queen Jindeok to ascend to the throne. They were the last of the Sunggols. Jingol 진골 also known as “True Bone” refers to someone who was dire

Front Cover

Designing my front cover! Using Medibang as the main source for adding colour, I am beyond pleased with the outcome. Using one of my perspective drawings of the shrine I designed, I chose an area I wanted it to be situated. I want to include the three main characters, but not the extra's s of yet, i want them to remain in the story alone. I went through the roughest sketch through to line art and colour all digitally. I had this idea for the cover since the beginning and finally getting to draw it is exciting. For the rough sketch I used Clip Studio Paint EX, Line art was Paint Tool SAI, Colouring was Medi Band and the final effects where added with Photoshop CS6. I am really pleased with the final outcome, it is quite brightly coloured and at an interesting angled, but isn't too busy or overwhelming. I think the composition is just about right in terms of balance, and quite effective with the sunset backdrop. For the title the disjointed font is qui

Meetings:

11/4/18 Three weeks are left before the deadline and the stress has begun to raise its head. Its apparent in all the 5 members attending, myself included. Although I am proud to see that instead of panicking and submitting to the pressure, everyone is raising their work effort and trying their best to meet the deadline head-on. The table dimensions was posted today for the MCM table which is 2 x 6 foot. In the following weeks we will discuss the presentation method and display ideas for the table. We also discussed the possibility of business cards and other merchandise for our group. Millie is still waiting on response from her father on the car arrangements, which means there is a halt in buying train tickets for the moment. MCM has rather strict rules against fanart if you are not behind a dealers table so original artworks will be required, weather it is comic influenced or not is another matter entirely and a personal decision. Again the banner was discussed, but we came to

Ishi No Kokoro Manga

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